The GEneva Multimodal Emotion Portrayals (GEMEP) is a collection of audio and video recordings featuring 10 actors portraying 18 affective states, with different verbal contents and different modes of expression. It was created in Geneva by Klaus Scherer and Tanja Bänziger, in the framework of a project funded by the Swiss National Science Foundation (FNRS 101411-100367) and with support of the European Network of Excellence "Humaine" (IST-2002-18.104.22.168 Multimodal Interfaces, Contract no. 507422). Rating studies and objective behavioral analyses are also currently funded by Project 2 and the Methods module of the Swiss Affective Science Center Grant (FNRS).
The full description of the GEMEP corpus (general design, emotions included, number of actors, expressive modalities, etc.) and of the rating studies conducted on the portrayals can be found in
- Bänziger, T., Mortillaro, M., & Scherer, K.R. (2012). Introducing the Geneva Multimodal Expression corpus for experimental research on emotion perception. Emotion, 12(5), 1161-1179.
- Bänziger, T., & Scherer, K. R. (2010). Introducing the Geneva Multimodal Emotion Portrayal (GEMEP) corpus. In K. R. Scherer, T. Bänziger, & E. B. Roesch (Eds.), Blueprint for affective computing: A sourcebook (pp. 271-294). Oxford, England: Oxford university Press.
The confusion matrices have been published as supplemental material to Bänziger, Mortillaro, & Scherer 2012 and can be dowloaded from this page.
The rationale for the use of actors in emotion research can be found in
- Scherer, K. R., & Bänziger, T., (2010). On the use of actor portrayals in research on emotional expression. In K. R. Scherer, T. Bänziger, & E. B. Roesch (Eds.), Blueprint for affective computing: A sourcebook (pp. 166-176). Oxford, England: Oxford university Press.
The emotional scenarios given to the actors (in french) can be downloaded here.
OBTAINING GEMEP FOR RESEARCH PURPOSES
The 145 audio-video files of the GEMEP Core Set are available for research purposes free of charge. In order to obtain the GEMEP Core Set
- Download , print, & fill in the general conditions of use.
- Mail the original signed form together with a short description of your project to:
CISA Campus Biotech
9 chemin des Mines
Once we have approved your request, we will share the GEMEP Core Set files with you. Please note that we reserve the right to decline a request to use GEMEP in case your planned project corresponds exactly to a study that is currently ongoing or planned in the near future at our research center.
If you have any questions on the use of GEMEP, please read the general conditions of use or send an email to .
RELATED PUBLICATIONS FROM OUR GROUP
Here below you find a list of other publications describing studies based on the GEMEP corpus. By clicking on one of them you will be directed to the webpage in which you will find the related supplemental material.
- Goudbeek, M., & Scherer, K. R. (2010). Beyond arousal: Valence and potency/control in the vocal expression of emotion. Journal of the Acoustical Society of America, 128 (3), 1332-1336.
- Krumhuber, E. G., & Scherer, K. R. (2011). Affect bursts: Dynamic patterns of facial expressions. Emotion, 11(4), 825-841.
- Mortillaro, M., Mehu, M., & Scherer, K. R. (2011). Subtly different positive emotions can be distinguished by their facial expressions. Social Psychological & Personality Science, 2 (3), 262-271.
- Patel, S., Scherer, K. R., Björkner, E., & Sundberg, J. (2011). Mapping emotions into acoustic space: the role of voice production. Biological Psychology, 87(1), 93-98.
- Dael, N., Mortillaro, M., & Scherer, K. (2012) Emotion expression in body action and posture. Emotion, 12(5), 1085-1101.
- Mehu, M., Mortillaro, M., Bänziger, T., & Scherer. K. R. (2012). Reliable facial muscle activation enhances recognizability and credibility of emotional expression. Emotion, 12(4), 701-715.
- Dael, N., Goudbeek, M., & Scherer, K. R. (2013). Perceived gesture dynamics in nonverbal expression of emotion. Perception, 42(6), 642-657.
- Bänziger, T., Patel, S., & Scherer, K. R. (2014). The role of perceived voice and speech characteristics in vocal emotion communication. Journal of Nonverbal Behavior, 38(1), 31-52.
- Bänziger, T., Hosoya, G., & Scherer, K. R. (2015). Path models of vocal emotion communication. PloS one, 10(9), e0136675.
- Mehu, M., & Scherer, K. R. (2015). Emotion categories and dimensions in the facial communication of affect: An integrated approach. Emotion, 15(6), 798.